Tuesday, April 12, 2011

Back From The Fuckin' Dead

I haven't forgotten about this place, time is just nonexistent at the moment. Lately, my time has been consumed with work and hockey (Not to mention buying a car put a huge dent in the wallet). I was able to snag a couple of gems including On Thin Ice's demo tape, Vegas records, and even some Gehenna vinyl. No pictures at the moment - other than the ones I used on my other site (VVake was something to keep me writing even if I really didn't feel like it) so you can ignore the watermark.


Anyway, this was one of my favorite records in quite a while:




#




Rot In Hell / Horders Split "The Omega Suite"
  "The Omega Suite" is the latest release from Rot In Hell and it doesn't disappoint. Whilst "As Pearls Before Swine" was a take no prisoners hardcore album, this shares more in common with artists such as Boyd Rice and Death In June. RIH's signature sound is stripped down to a pair of acoustic numbers that are both interesting and melancholic. On the flip-side, Horders contribute two tracks in the same instrumental manner as their other material. More on the music below. 


The vinyl is housed in a nice sleeve with artwork from the one and only Give Up. This isn't the first collaboration between the two; Give Up provided the artwork on the US record release version of "APBS" along with a handful of t-shirt designs. I don't know an artist - perhaps Nabbe - that can capture the feel of RIH's music as well as he can. The artwork itself isn't overly busy or messy yet its chaotic enough to set a good mood for the four tracks. 


Much of the same can be said regarding the inside; Give Up artwork, complete with wolves and a Ouija board. It has a very clean look but remains grim and ominous. Overall, it's probably one of the best looking releases as of late - although the VVegas / Gehenna split certainly comes to mind; Rot In Hell always has a knack of well packaged vinyl/tapes. There is a level of detail and creativity that is severely lacking in hardcore (Again there are clear exceptions like A389 and Vedavu), but I think that's what makes a release like this all the more unique and special. 

Rot In Hell starts things off with Das Tierdama, an acoustic track of woe and tragedy. Focusing on god's destructive nature - and man's link with the aforementioned deity - the words are simple yet paint an apocalyptic picture. Listening to "Das Tierdama", I imagine a world full of violence and strife. The second track, "Heraclitus" perfectly continues this theme. It's equally savage with promises of fire consuming all things. The sound may differ from the usual Integrity-esque sound but "The Omega Suite" still contains the band's aggression. 

Recent fans brought in by the recent success of "APBS" will probably be left scratching their heads wondering 'What the hell?'; "The Omega Suite" is a different beast that continues to reinforce the fact Rot In Hell are one of the best bands out there. There may be more acoustic releases but nothing is set in stone. If the neo/apocalyptic folk theme isn't your thing then shame on you don't fret, the band has a handful of releases in the pipeline, including but not limited to the almost mythical Integrity split and a new EP from A389. 

If you're obsessed with the band like I am, check out their tumblr, where never before released tracks can be heard, including a great SOB cover. It's also a great source of pictures and news so definitely check it often. 

Horders' side of the split isn't to be overlooked. After releasing a self-titled tape/CD and a split tape with Pink Priest, Give Up's solo project provides another two tracks of music that straddles the line between folk, ambient, black metal, and drone. "Iron Monument"'s sound-scape is dominated by repetitious and poignant soft guitars, building and building to the second track "Iron Mountain". Both may be instrumental numbers but they can just as much sadness, aggression, and loathing as the Rot In Hell side. The music is akin to walking down the street in the middle of a rain storm, contemplating life's greatest mysteries. 

I love the tone and production; its grimey and depressing for sure yet Horders is clear and crisp. Same could be said about RIH's contribution. When I mainly focus on the pure sound of "The Omega Suite", I think of Boyd Rice And Friends' "Music, Martinis And Misanthropy" album. It's dirty and raw, almost seeming like it was recorded in a dark basement. That style just can't be beat. 

You can check out Horders over at Give Up's site. While you're there, take a gander through his catalog and pick up a beautiful piece of artwork in his shop. I'm very interested in seeing what the next Horders release is. 

Feast Of Tentacles did an outstanding job with "The Omega Suite". Pre-orders went up promptly and within a couple weeks they were shipped out. Perfect practices for a great label/distro. The pre-order version, pictured above, was limited to a hundred copies on blue vinyl - along with a blue sleeve and planchette - but the regular variant, on black vinyl, is available through a host of distros including A389, Deathwish, and Feast Of Tentacles. 

Both bands put forth a handful of tracks that will be sure to please both old and new fans alike. I cannot recommend it enough. 

Wednesday, March 2, 2011

Die Motherfucker Die

Things have been very quiet and I just didn't want to ramble on about useless bullshit. That being said, I took a couple quick shots of two recent acquisitions and both revolve around the excellent Rot In Hell. The item on the left is the very limited lathe cut 7" titled "Ulfhedinn". I was able to snag one of these at the A389 Showcase show and as great as the music is, the fuckin' thing comes housed in a ski mask. It's a great touch. Beside "Ulfhedinn", is Rot In Hell's first demo tape, which has two of my favorite tracks: "Behavioral Resistance" and "Sins Of Malice". The insert folds into an upside cross. Again, another nice touch.




I scored a handful of very cool tapes and a RIH hoodie that was limited to 5. Expect some new stuff soon. Right now, I just can't write worth a damn. 

Wednesday, February 9, 2011

Amsvartnir


Rot In Hell has been in constant rotation since releasing the excellent "As Pearls Before Swine" full-length (Which you can read over at Halifax Collect). One of their more recent releases was a split with fellow UK band Wayfarer, courtesy of Carry The Weight (CTW) Records. Each band contributed one track and just like RIH earlier material, they don't disappoint.

"Amsvartnir" starts off slowly before growing into a savage assault. I won't bore you with more references to Integrity or Ringworm. As much as those two bands may have influenced Rot In Hell, this is a fresh, bloodthirsty monster. Easily one of their better tracks (Not like they have a bad one). "Father you've had your glory. Now I'm taking mine!"

Wayfarer's "Faithless And Accursed" isn't as raw as "Amvartnir" but just as metallic. This was the first time hearing the band and it certainly was impressive. They have an LP available that I highly recommend and there's a new EP in the works - CTW has more info on both).

The packaging is really gnarly. Housed in a thick cardboard sleeve with artwork by Glyn, the first hundred copies came on white vinyl with a little booklet and other extras. The record release version came with a rune stone I've heard, but those were sold out very quickly.

Rot In Hell always has a knack for fucking interest releases, both musically and aesthetically. As cool and involved as the Wayfarer split was, it has nothing on the lathe 7" that was housed in a fucking ski mask. Even with the alternate versions of "Hallways Of The Always", there is a level of attention and detail paid that few bands can match.

Nothing but death for you all!

Friday, February 4, 2011

Another Friend To The End


Gathering ex-members of Left For Dead, Chokehold, Cursed, and The Swarm, Haymaker is guaranteed to be good. Taking cues from the previously mentioned bands whilst adding an extra level of hostility and uniqueness, a heavy, punishing sound is forged. After releasing a handful of splits and EPs, Haymaker unleashed "It Only Gets Worse", a twenty-five song assault that featured one of Pushead's better pieces on the cover.

As prevalent as the LFD/CH sound is, there is equally a mix of Infest, Negative Approach, and MDC. The lyrics are straight to the point, no bullshit attacks on American policies, gun control, cops, and most notably religion. Make no mistake, there is no tolerance. Their distaste for organized religion, particularly Christianity, is clear and reinforced with tracks such as "God Can Fuck Hymn Self" and "Team Jesus Is Losing"; t-shirts show Jesus surrounded by shotguns along with other 'sacrilegious' designs. There is no middle ground; they hate and they do it well. Yet as aggressive and downright hateful the lyrics can get, there is a limited amount of cursing. Some bands fall into a nasty habit of using cursing as a crutch, often transforming a possibly decent song into something juvenile and uninspired. Not Haymaker though.

My favorite release is "The Lost Tribe" 7", which was released by Deranged Records. From what I've gathered, this material was supposed to be on the second LP but it never saw the light. So, I take it this is a demo of sorts? In any case, there needs to be a second LP.

You get the heavy hardcore 'take no shit' side of the band with perhaps a tinge of Motorhead . By that, I mean the six tracks have a little more melody with some rock n' roll touches. Is it a rock album? Absolutely not. But it does have its moments. For example, "Another Friend To The End" breaks the cycle of under a minute hardcore numbers and in a strange way is catchy. It also happens to be one of my favorite songs, no matter the genre.

The other five tracks hit the usual topics: politics and religion and 'scenes'. To my ears, this is Haymaker at its finest. I really dig the vocals. They dominate the sound-scape - earlier recordings muffled or muddied Jeff's vocals. From the preview of Pick Your Side, Jeff's new band, it sounds the same.

Haymaker embraced hatred for... damn well everything except skateboarding. That aggression often carried over to live performances in the forms of broken glass, fireworks, fire-extinguishers, sofa couches in the 'pit, and in Baltimore's case, flying garbage cans.

So, crack open a cold one and prepare to thrash. In their own words, "Wreck Shit"!

#

Pre-Order Pick Your Side's (ex-Haymaker) debut 7" over at A389.

* From the Seven Sisters Of Sleep Post: The Gehenna/SSOS/COG/CF show has been canceled, unfortunately.

Monday, January 31, 2011

Tide Is Rising


After being teased with ridiculously cool videos on Youtube, Seven Sisters Of Sleep finally released this fucking behemoth of an album a few weeks ago. A389 did a superb job with the release; "Seven Sisters Of Sleep" comes housed in a gate-fold sleeve with wraparound artwork. The inside is stark yet busy enough to keep one's attention. Instead of an insert, the lyrics are printed inside along with some other text that is best seen with one's own eyes. There are a handful of variations: black, green, and red vinyl.


Seven Sisters Of Sleep is like a supergroup, featuring members of Tafkata, Arm And Sword Of A Bastard God, and Spring Break!, and the finished product clearly shows this. Each track is a brutal blend of hardcore and for lack of a better word sludge/doom. Imagine the aforementioned groups thrown into a blender of Eyehategod, Goatsnake, and at times Noothgrush. To my ears, it's like Tafkata except the more Southern sludge side was replaced by AASOABG's doom.

"Tide Is Rising", the third track on the album is probably one of my favorite tracks in the last five years. The build up makes me want to destory everything in the room. My only complaint about the album is simply I want more. It's over before you know it (Clocking in at twenty minutes, it's almost more like an EP 12").

I broke down and listened to a shitty 192 rip but goddamn, nothing beats hearing it on it's true format: vinyl. It's savage and I can't wait to hear new material. This is available over at the A389 store and most likely from the band.

I fucking love this album. You can see footage of the band performing in Baltimore over at the very gnarly Hate5six site. And check out Seven Sisters Of Sleep in February with the Infamous Gehenna, Cardboard Funeral (ex-California Love), and Children Ov God.

Thursday, January 27, 2011

Fuck Your Popularity Contest; I Want To See A Murder Contest


If you don't like Left For Dead, I don't want to know you. LFD were around a short while but influenced a whole generation of hardcore bands. It's kind of like the Velvet Underground - not many people - at the time - bought the records, but those who did went out and started bands. "Splitting Heads" is their discography CD, courtesy of No Idea. Chris Colohan's vocals are just full of hate and frustration (It's fun listening to his later bands such as Cursed or Burning Love and then going back to LFD and hearing how young he is). The CD is full of classics, such as "Skin Graft", "Eight Floors Above", and "Who D'You Know", and even contains live tracks as a sort of bonus.

The thing I love about this release and the band is simply the lyrics. They're catchy without seeming contrived and juvenile. For example, during "Skin Graft"

"Why don't I cut off your head and we'll call it negative reinforcement"

Left For Dead disbanded, leaving behind a couple of splits and other releases. Alumni went onto form such bands as Cursed, Ruination, Haymaker, Burning Love, and the newer Pick Your Side. As bold and hyperbolic as it may seem, Left For Dead is without one of the most important bands in hardcore in the last twenty years.

Tuesday, January 25, 2011

Aftermath


HAYMAKER!

This week-end was an absolute blast. I scored some limited Rot In Hell items that'll soon be posted along with some great A389 exclusives.

Big thanks to Dom.

Wednesday, January 19, 2011

A389 7th Bash


As I impatiently wait for a handful of packages, this monster of a show is right around the corner. I can't wait to meet old friends, experience Seven Sisters Of Sleep, and finally see Integrity. Not too stoked about flying but it's a small price to pay.

While I may be a lazy contributor lately, there are plenty of great articles to read.

A389

Thursday, January 13, 2011

Soon

Expect a mega-post in the next week or so regarding the newest A389 pre-order and some other goodies. Meanwhile, Halifax Collect has some awesome Top 10 lists - including my picks - and some very gnarly records have surfaced: No Comment represses and the newest Low Profile LP.

I'll be playing with some new layouts, so bare with me if there are any issues. Thanks for your patience.

Friday, January 7, 2011

Goddamn The Twentieth Century

Photobucket
A while back, rumors began to swirl about a split between the Infamous Gehenna and Germany's underrated juggernaut VV.egas. It was always going to be extremely limited with out of this world art. Time passed and the rumor grew stronger and stronger until it was revealed Vedavu was handling it. Even more time passed and I wondered if it was ever going to appear. A special edition, limited to a mere 13 copies appeared for the 7.17 show - it was a glimpse of hope. During September - when I was on leave from work - I remember wishing it was coming out until I had enough money. Then official word came down and it went back to a waiting game. Vedavu placed the pre-orders up at midnight (PST; 3 AM EST).

Photobucket

Make no mistake about it, this is a piece of art. Vedavu release records by collectors for collectors. An elaborate sleeve houses this slab of wax. As you can tell from the pictures, there was a lot of detail put into the appearance; the morbid yet vibrant cover is wrapped with a black obi-strip that has album's artwork on it (It's black on black, giving it a really cool effect). Opening the double fold sleeve reveals even more artwork in the same vein as the other pieces. Two inserts, one for each band, contain the lyrics. For grim, melancholic music, the packaging is absolutely beautiful.

Photobucket

Gehenna start things off with "Within The Peyote Cult", a thrashy, psychedelic number. After the first listen, I got a feeling of deja vu. The riffs were familiar and immediately I knew why: "I'll Always Say Forever". The sample-heavy piece has the same, making me believe that "Within The Peyote Cult" was recorded before 7.17. In any case, the track fits in with the more recent "Psychedelic Screwed Thrash Punk" trend. It's not as surreal as the Blind To Faith split, but it's definitely not your standard hardcore. The contribution gets me ecstatic about the new full-length.

Photobucket

VV.egas' "Original Sin" continues down the same path as their other material - Integrity influenced hardcore with tinges of neo-folk. This particular track features Matt Shack of the criminally over-looked Pale Creation. It's a heavy track, one that gets me hopeful for new VV.egas material in the future. I really dug "Verklingen", but in the end it was a cover. A damn good cover, but nothing beats an original, all new track.

Vedavu has a handful of new releases planned, including bands such as DEVIL, Arm And Sword Of A Bastard God, and Hot Pursuit. When I see and eventually hold records like the Gehenna/VV.egas split, it reminds me why I love collecting. Pictures don't do it justice. You have to see it to fully grasp just show crazy the whole package is. This came in a bundle that included the vinyl and an exclusive t-shirt.

This is limited to a hundred copies and is sold out (It sold out in a matter of days) but apparently there are rumors of a possible repress. Keep an eye on Vedavu - they've got some amazing stuff in the pipeline.

MMXI is just days old and I already deem this a top three pick.

Wednesday, January 5, 2011

Get Fucked Up

Photobucket

Two of California's most vile team up for a two song split that both melts faces and crushes skulls. This is an absolute win-win situation; Gehenna brings a solid, thrashy number to the table whilst California Love has a two minute power-violence attack. The band's truly compliment each other - both playing a style of negative, misanthropic hardcore with Black/Death Metal influences.

The Infamous Gehenna contribute "Get Fucked Up", a savage track that is probably the band's biggest thrasher. Compared to their most recent tracks - the Blind To Faith split and the 7.17 comp - this is the polar opposite. While the last three tracks have a psychedelic witch-house feel, this would easily fit in on "Negotium Parambulans In Tenebris" LP. Even with the driving, repetitious guitar, "Get Fucked Up" is oddly catchy - not in the sense of bubblegum pop or anything but I've caught myself humming it a couple times at work. It's like I said about their 7.17 track "I'll Always Say Forever": If this is the material on the upcoming LP, it's going to slay.

On the flip-side, California Love gives the world "Feurersturm" (The German word for "Fire Storm"), a two minute epic that sounds like it was recorded in a paper bag. It's long for a C/L but completely fits in with their other material. "Feurersturm" still has that infamous "power-violence" sound yet in this recording, there is an undeniable early Death Metal sound that is refreshing. Lyrically it's the same: humanity is the devil and shall be exterminated. Even when they're at their most simplest, California Love head and shoulders above 97% of hardcore. "Feurersturm" is from the same gnarly session as the "Post Mortem Emanations" - it doesn't feel like a b-side but an act of psy-warfare. That opening is just fucking intense and reminds me of an old Bad Brains track, "The Big Takeover". It builds and builds and builds then just explodes.

A389 released this in 2010 (It seems weird not to say earlier this year) in two different variations: red vinyl - this was limited to the pre-order package that included the excellent "Hope Guzzo Bootleg" - and black vinyl - the common version. The covers and inside pages are plain, something that I like; I compare it to something like the Caulfield LP or Gehenna's "Lands Of Sodom" EP where all the attention is directed to the slab of vinyl instead of a flashy insert or artwork. From what I've gathered, this record took a while to finally see the light. Apparently, Relapse was going to release it but in the end things didn't fall through. Fast-forward a bit and A389 unleashes something vile and heinous.

I was able to score the test press via A389's wallet-destroying 24hr Test Press sale on Halloween. The cover is much more morbid and would seem right at home with the bands' other releases. Truth be told, I prefer it to the regular version.

This is still available from many distros. Do your self a favor and pick it up. One of the best releases in 2010 without a doubt.

#

Check out my review of Ironwood's new album "Storm Over Sea" over at Halifax Collect. While you're there, take a glance at the Top Ten lists. Some great tunes involved.

Sunday, January 2, 2011

Deathlust


You either love or hate Kickback. There is no middle ground. Hailing from France, the band has been spreading its message of violence, decay, and Marquis De Sade themes since the early nineties and "No Surrender" is their latest full-length. Ignoring Kickback's controversial history for a moment, this effort is what negative hardcore should be: aggressive and out for blood.

Whereas bands like California Love and Gehenna prefer short, misanthropic assaults, Kickback puts out jams that can range past the five minute mark. Musically, this is like a continuation of "Les 150 Passions Meurtrieres", meaning it has a little more of a Black Metal tinge rather than NYHC. I read an interview that explained the change - the new guitarist has a history with BM (To be clear though, BM has always been an influence on the material, at least to my ears). The assaults may be longer, but they still pack the same punch as C/L does. Even with the longer numbers, there isn't that usual repetitious feel; they keep the listener engaged and uncomfortable.

"No Surrender" powers through eleven tracks in thirty-seven minutes but I cannot help but want more. There's a new full length on the horizon - a two year gap is much better than ten for sure. In the mean time, revisit the band's catalog for some serious metallic hardcore with hate and perversion.

I never really checked out the band until I heard the guest vocals on the Blind To Faith split and for a while I couldn't get past them. They were screechy and at first seemed out of place with the rest of the band. After a couple of listens to "Forever War", I was completely swayed and have never looked back.

The new material is going to slay. As a side note, this was - to my knowledge - only released on CD, which is a momentary bummer. GSR still has this in stock along with some gnarly shirts and hoodies. Support a good band.
 

Fetch The Pliers © 2008. Chaotic Soul :: Converted by Randomness